Archives for posts with tag: street art Spain

The majority of the shots in this post (including the first-ever shot of myself) are the work of the urban pop artist TVBOY. They are part of a series of famous artists from the past with touches of the present, including a Frida Kahlo Iphone selfie–the shot in which I couldn’t resist joining the famous Mexican artist for a rare narcissistic arm’s length self-portrait. The shot of Serge Gainsbourg comes from the artist Valerie Maho, and the great Muhammad Ali in stencil was created by RAF Urban. The other image (from sm172) which I’ve included is a darker reflection on our pop-selfie culture and is a statement on the voyeuristic bystander syndrome which seems to be a side effect of all of us being able to record and photograph all that we see, while forgetting to experience it, or get involved when necessary.

This year’s Festa Major de Gràcia featured a new entry into the decorated streets: la Plaza del Poble Rumaní, the theme of which was one of the biggest cultural contributions from Gràcia’s vibrant gypsy community: la Rumba Catalana. While the decorations themselves had a difficult time competing with the more experienced streets, one feature which stood out from the rest was a huge mural which was painted on the wall of a neighboring school.

The mural is a collaboration between local schools, the local gypsy community, and the organization acidH (Catalan Association for Integration and Human Development). The three artists who participated are well-known in the Barcelona street art scene and this blog: Xupet Negre, Caesar Baetulo (sm172), and konair.

The images on the mural are a mix of the artists’ trademark characters and icons of Catalan culture.

 

Having a dog is a great excuse to get out and explore new areas of the city. My latest trips have taken me uphill, where the views of the city and the sea are marvelous, and there is also some nice street art hiding in the steep hills above the city.

The first few pictures come from the area near the Bunkers del Carmel, which served as the city’s defenses from fascist aerial attacks during the Spanish Civil War. The views are spectacular, and if you go during the week, you might be able to recapture some of the secluded off-the-beaten-track appeal. At the top of the hill you can find some walls which are painted with some murals, including one of the famous literary figure Don Quixote.

The rest of the photos are from the Vallcarca neighbourhood, which lies just next to Park Güell. This area is worth exploring as there are some interesting buildings and plazas, as well as some spectacular views of Barcelona spreading out toward the Mediterranean.

The dog days of summer are probably not the best time to explore this area as the sun seems to beat down a bit harder the higher you get, but a cloudy day in early autumn would be perfect for a climb, and besides, the pictures come out shadow-free on cloudy days.

Today’s shots come from the free walls at Tres Xemeneies, near Avinguda Paral·lel, some random wanderings through the neighbouring Raval, and a new location (at least for me): the Jardins de Walter Benjamin, which are just near the Port, and mark the last frontier before the city gives way to Montjuic Park. As suggested in the title, the “gardens” themselves are nothing to marvel at, but the walls, which separate them from the playground of a local school, are the main attraction.

The Raval was full of tributes to famous faces, among them Debbie Harry, Kafka, Dennis Rodman, the late Prince, Jesus Christ (by artist sm172), and Football Club Barcelona’s favourite tax-dodging wunderkind, Neymar Jr.

As my geo-tagging feature on my camera app has become a bit unpredictable with the latest android update, my locations aren’t quite a precise as before. That said, a good wander round the Raval/Poble Sec area does a body good!

 

For my second May post (which is actually hitting in June) I’ve decided to return to Gràcia, as I haven’t posted much from the surrounding area lately. Most of these shots come from strolls around the vila over the last three or four weeks. As suggested in the title, one of the more interesting ones is a portrait of tourists as paella-wielding, selfie-sticked zombie hordes who come to invade our quiet little neighbourhood nearly year-round. This sentiment can be seen in occasional graffiti which read “tourists go home”. As a foreigner who first came as a tourist, I’m a bit torn; while I recognize that tourism is vital to our local economy, and that a good majority of tourists are well-behaved and civilized, I also know as a resident what a putada it can be having the area so constantly crowded. On balance, I’m in favour of tourism, but I think that we need to start moving toward a more sustainable model. This is what the current city administration (in theory) is going for–a city planned and built for its residents, but also welcoming for tourists. A difficult happy medium to achieve, but a noble objective, in my humble opinion.

The other shots are rather random and generally political in nature, along with some anthropomorphized popsicles from konair, and some paste ups which have been appearing with increasing frequency.

As promised, in this post, I’ll show you the differences I found between the same spots, with a three month break in between.

The only difference is that the final photos in this post are taken from one of the Murs Lliures, which can be found on an entire city block, bordered by the streets Veneçuela, Agricultura, Josep Pla, and Pallars, a bit closer to the Selva de Mar metro station on the yellow line. Many of these pictures seem to follow the theme of climate change, and its effects on the arctic ecosystems, as the hashtags suggest. One of the principal artists involved in the effort is Pau Lopez, whose facebook page can be found here. And here is an interesting article  on the initiative from our friends at Brooklyn Street Art.

 

Back in January, I took a short trip to the Poble Nou area, which is one of the hotter spots for street art in Barcelona, due to its past as one of the city’s industrial centres: wide streets, open lots and plenty of walls for the painting. The first few photos come from a corner just north of the Parc del Centre del Poblenou, a triangular park quite close to the Poblenou metro station of the yellow metro line. The park itself is quite modern, though you can still find one of the old smokestacks which once dotted this area of the city, which has been left as a reminder of the past.

The first pictures were taken just north of the park, at the intersection of the streets Espronceda and Marroc. This looks like the shell of a building, which has been left to the mercy of painters. Don’t forget to step back and see the Roman column that was painted on the side of the neighbouring building.

The next pictures were taken at another set of walls nearby, at the crossing of the streets Selva de Mar and Peru.

In the next post, you’ll see the same areas, but three months later.

Ever since the city council began its crackdown on antisocial behavior in 2006, finding examples of urban art in Barcelona has become increasingly difficult–to the point where nowadays when I go out wandering the city, it’s nearly impossible to find new work outside of the permitted places.

These shots come from one of those morning meanderings through the Raval and the Old City Centre. Finding a silver lining in this situation is about as difficult as the hunt for new art, but if I suppose the scarcity means that it’s much more satisfying when I do find something interesting.

EmPPire Strikes Back

The title of this post is a translation of the text in this image, found on the electrical box at the doorway of the secondary school here in Gràcia. Why the double “P” you may ask? Well, the initials PP tend to provoke strong opinions, especially here in Catalonia, and mostly negative. And it’s not the PP as in “past participle” whose many irregular forms are the bane of many of my students’ existence. The PP here stands for the Partido Popular, the centre-right party which currently enjoys an absolute majority in the Spanish Parliament. They also happen to be the political party which is dead set against Catalonia gaining any more autonomy than it already has, hence this image of the Dark Imperial Leader himself. It seems this stencil is from the JERC, or the Republican Youth of Catalunya.

200th Post!! Looking ahead...

As the title suggests, this will be my 200th post on this blog, which, according to the reading I’ve done on blogging, is quite an achievement. I’ve also built up a small, but loyal, audience, which has helped keep me motivated and inspired even in the times when I couldn’t post as often as I wanted. Moving forward, I hope to upgrade my blog and get my own domain name, possibly make some music videos featuring my favorite shots and footage, get out on the streets a bit more, and finally go back and fix some of my earlier posts, which deserve a bit more reflection and commentary. For all of you reading, and those of you visiting for the first time, thanks for the support, and I’ll see you for post 300!